[2026 forthcoming]

editor

Errant Elements Issue 5: the Speculative - Rare Earth Elements

[2026 forthcoming]

essay

tones and textures of knowing between Antarctic architecture, planetary impact events, the memory of water, and fluid dynamics (cracks in drying drops; dripping down the rivulet; emerging strings of fluid pearls)

Submersible Press: Experimental Writing Anthology

[2026]

essay

foams: a minor ethnography of a public hot tub

Annulet Poetics

[in process]

book chapter

Airglow: on Vagueness and its Delicate Empiricisms

Towards atmospheric care: undoing environmental violence, experimenting with ecologies of support

eds Tobias Criado and Elisabeth Luggauer

[in peer review ]

essay

Informalities: Scoring Ethnography

[2026]
in review

research article

Compressibility: Listening with Fractures

/ Unstable Forms: Sensing the Underground and a Politics of Fracture in a US Energy Sacrifice Zone

research group: Nuclear Undergrounds

[2027]

in press

book chapter

“unfortunately, when you live out here, all you see is the details”: Indefinite Ruination in the Permian Basin

Writing With Ruins: Embodied Encounters and Creative Narratives

eds. Pablo Arboleda and Isabel Gutiérrez Sánchez

Routledge

[2025]

peer reviewed

Wind’s Incoherences: On Listening to Measure

Commoning Ethnography: Experimental Practices

[2026]

book chapter

Sour Wind

Ways of Breathing and Knowing: the Politics and Poetics of Air, Atmosphere, and the Body

eds. Nasima Selima and Judith Albrecht

Routledge

[2025]

chapbook/zine

[tellurium: not nothing]

Errant Elements eds. Marina Peterson and Gretchen Bakke

[2025]

book review

Articulations: On Eleni Stecopoulos’ Dreaming in the Fault Zone

Cleveland Review of Books

[2025]

book review

What Will Not Cohere: on Valerie Hsuing

Cleveland Review of Books

[2024]

essay

air mirrorworld: modes of description

Society for Cultural Anthropology Fieldsights: Art and Ethnographic Forms in Dark Times

[2021]

soundwork + essay

air mirrorworld: on wind turbine syndrome and infrasound

Venti: a Journal of Air, Art and Aesthetics - “Senses”

[2020]

ecopoem

HAPPENING, or retractability (undo, un-say).

minor literatures

[2020]

book of ecopoetic essays + performative theory

Majority Reef

Inside the Castle Press

[2018]

poem

auto-da-fé: confession & camoflague

BAX: Best American Experimental Writing 2020

Black Warrior Review Flash Prose Prize 2018. Judge: Joyelle McSweeney

[2026]

form-less-ness: known things shift in the light or at angles

[papermaking, folds, fuzzy thinking]

[2026]

“this word is right but another isn’t”

[experiments in bioplastic forms, material poetics, the topological]

[2026]

“...every drill hole is a question mark”

[40m archival assemblage film + essay]

Archival Intelligence: Epistemic Shifts from Sound to Listening

Bergen Assembly, Norway

[2025]

happening: [the ordinary]

@ The Carnegie
Notations on Ritual
curated by Sso-Rha Kang
[fluxus and listening scores]

[2024-25]

unstable forms: nuclear wetlands and remediations at Fernald, OH

[experiments in papermaking]

[2024]

hydrodynamic forms

[experiments in cyanotypes]

[2025]

fictions of sameness: West Texas sky
[experiments in cyanotypes]

[2025]
between airs
[found object assemblage]

[2024]

sounding lines / a vague machine of no
sound + fiber + found object sculpture installation

Tierras Sonidas/Sonic Rodeo 2024 in Marfa, TX @ Capri

[2024]

interference patterns

[following the concept of line; drawing and being drawn; ham radio transmissions;

minor ethnographies of encounter and connection]

[2024]
flows, fields, folds: a compositional kite-method
[what is the flight line of a crumple?]
DIY Low-Carbon Methods Zine Conference. With Claire Fitch and Maria Fernandez Pello

[2024]

details in the air (2024)
detangling bells 2
(2024)
detangling bells (2022)
hush, wind (2023)
touch points (2022)
silence resignation so much (2021)
[sound compositions]

[2019-2022]

air mirrorworld

[iterative multimodal ethnographies of wind in the Permian Basin]

[2021]
fragile frontiers: a speculative sound map of oil in wtx in the 1920s
[divining sounds over fake blueprint of oilfields]

[2021]

air-craft #2
[experiments in field recordings; listening with airport noise; a feedback system. With Harrison Montgomery for Phonography Austin, World Listening Day.]

[2021]

listening to the infra-world
[experiments with EMF sensors; listening with electromagnetism; a parking garage in Austin, TX. With Marina Peterson and Harrison Montgomery]

[2020]

sound/film: 16m

wind listening

[listening with wind in wtx; foraging for dye plants in Chinchero, Peru; discussing infrastructural encroachment and decimation of dye plants.]

[2020]

sound/film: 6m

“unfortunately, when you live out here, all you see is the details”
[archival assemblage of home videos of wind turbine shadow-flicker; field recordings]

[2020]

sound film/sonic fiction: 24m
(hiding): secrets of nature

[archival assemblage film]

[2020]

sound/flim: 40m

h2o baby: a pipeline to the clouds

[archival assemblage film]

[2025]

[“unfortunately, when you live out here, all you see is the details”

writing]

[listening with thumper trucks or the clouds of Venus with seismic balloons—

“....” ]

[listening with wind in a garage—

” ...as the wind swirls in it pauses so that there are long moments where air is not sensed at all.”]

[thermophilia—

”...scattering is an effect of the chemical composition of the atmosphere.“]

[on the concept of a line — drawing and being drawn — “like a flea, she said...”]

[“an object’s elusivity follows the logic of a body in movement.“]

happening: [the ordinary]

Performing nothing happening between students of Atmospheres and the public Notations on Ritual exhibition; public programming

Performing nothing happening between students of Atmospheres and the public

Notations on Ritual exhibition; public programming